Portfolio « Pierre Denan Works

Pierre Denan — Pierre Denan, fondation Brownstone, Paris, January 2021

studio@pierredenan.com
Direction artistique
Photographie
Édition

Publishing (selected works)

Revue de création publiée en 2008, contributions de 23 artistes 480 pages, 24 x 32 cm, direction artistique Pierre Denan

Revue de création publié en 2007, contributions de 21 artistes, 480 pages, 24 x 32 cm, direction artistique Pierre Denan

Revue 20/27, textes critiques sur l'art, périodicité annuelle, 300 pages, impression couleur, 81 textes ont été publiés

Revue 20/27, textes critiques sur l'art, périodicité annuelle, 300 pages, impression couleur, 81 textes ont été publiés

Revue 20/27, textes critiques sur l'art, périodicité annuelle, 300 pages, impression couleur, 81 textes ont été publiés

Olivier Babin, 2009 Collection I.S. Inventaire Supplémentaire, livres d’artistes publiés dans les années 2000, 80 pages, format 17 X 20 cm

Claude Closky, 2002 Collection I.S. Inventaire Supplémentaire, livres d’artistes publiés dans les années 2000, 80 pages, format 17 X 20 cm

Claude Closky, 2003

Pierre Denan, 2005

Veit Stratmann, 2009

Hugues Reip, 2009

Véronique Joumard, 2009

Jonathan Monk, 2009

MAP, dépliant affiche, impression 12 000 exemplaires, mis à disposition du public dans les galeries et centres d'art au début des années 2000, gratuit

MAP, dépliant affiche, impression 12 000 exemplaires, mis à disposition du public dans les galeries et centres d'art au début des années 2000, gratuit

MAP, dépliant affiche, impression 12 000 exemplaires, mis à disposition du public dans les galeries et centres d'art au début des années 2000, gratuit

Artwork (selected works)

Peter Roehr, 1967

Ces images s’inspirent du carton d’invitation que l’artiste Peter Roehr réalisa un an avant sa mort, pour ce qui devait être sa dernière exposition : « Roehr bei Seide », Francfort, 1967.

Pierre Denan, Welcome Home, Thomas Hirschhorn, 2016

Pierre Denan, Sustainable artwork, bronze sculpture project

Sustainable Artwork, december 19 2014, trash bags on canvas, Opening Themes series, 40 x 40 cm

This Attitude (Boris is the Monster), 2019. Verso d’une photographie encadrée de Boris Karloff dans La Fiancée de Frankenstein

8 (Erewhon, Le livre des machines), 2014

Souffle de Nicolas Bourriaud, 2011. Based on Piero Manzoni’s Souffle d’Artiste, 1960.

It’s just a banana

Empty Tin Can M5306021307:17, 2013

Pierre Denan, On est sortis du MOCA et on a fait Sunset Boulevard en voiture dans les deux sens et de nuit, 2012, photographie couleur, 40 x 30 cm, bazed on Ed Ruscha’s Potato, 1964

Ed Ruscha, Potato, 1964

Pierre Denan, Variations Marshall, Amplification 2, A MAN FALLS INTO A HOLE. Stairs in Marian Goodman Gallery, Paris. Photo was taken during the « Pure Fiction » exhibition, group show curated by Julie Boukobza, june 2016

Pierre Denan, Variations Marshall, Amplification 3, LA MANO DE DIOS, people in Michel Houellebecq Exhibition « Rester Vivant », Palais de Tokyo, Paris, June 2016

Pierre Denan, Variations Marshall, Amplification 7, GILLES DROUAULT, LE RENDEZ-VOUS. Galerie de Multiples, montage « DADA EST TATOU », Paris, octobre 2016, photo souvenir

Pierre Denan, Variations Marshall, Amplification 4, YOU MUST GO ON, I CAN’T GO ON, I’LL GO ON. Chairs in Michel Houellebecq exhibition « Rester vivant », Palais de Tokyo, Paris, June 2016

Pierre Denan, Variations Marshall, Amplification 8, Tirons-nous d’ici (Let’s get out of here), photo souvenir, tribute to Gregor Schneider, 2016

Pierre Denan, Variations Marshall, Amplification 9, THE END OF NEON – As long as I’m excited or amused, I’m never tired, 2016

Pierre Denan, Variations Marshall, Amplification 10, OPENING DAY (BACK TO ANOTHER TIME), 2017. Photo souvenir, Palais de Tokyo, Paris.

Pierre Denan, Variations Marshall, Amplification 11, JUST WHEN I THOUGHT I WAS OUT, THEY PULL ME BACK IN, Brownstone Foundation, Paris, 2017

Pierre Denan, Variations Marshall, Amplification 1, FIAC 2016, photo souvenir. Work by Fernanda Gomes, Untitled, 2012, wood, paint, 40 x 40 x 40 cm

Pierre Denan, Variations Marshall, Amplification 5, I LIKE IT WHEN SOMEBODY TELL ME A STORY, Xippas Gallery, Paris, 2016

Pierre Denan, Variations Marshall, Amplification 6, photo souvenir, Centre Pompidou, Paris

I’m making a sustainable monochrome for the « Mauvais genre » exhibition. Sustainable Monochrome – L’Art tendu sur la toile, 2014

Olivier Mosset Harley Davidson Sporster 1957

Filo Loco, Olivier Mosset Harley Davidson Sporster 1957

Samantha Barroero, Filo Loco, Le Garage, Culbuteurs Art et Moto-culture

Culbuteurs exhibition, Le Garage. Sid Rock’s Motorcycle & Pierre Denan’s artwork

Olivier Mosset Harley Davidson Sporster 1957, Filo Loco & Sid Rock Motorcycles

Pierre Denan and the Vacuum

Filo Loco Motorcycle

Pierre Denan, No Reason, acrylic on canvas, 100 x 81 cm, 2017. Private collection & I’m Not A Fucking Abstraction, acrylic on canvas, 100 x 81 cm, 2017. Private collection

Pierre Denan, Now Tell Me, Tell Me & Pinky Pinky, talking to Olivier Mosset (I don’t know, man, I mean, doing that for me was really cool because, you know, it helped me to understand what it’s like to feel like the way artists feel, or something), 73 x 60 cm, 2017

Pierre Denan, Now Tell Me, Tell Me, Board 1 [Venus De Milo + Pink Broken Monochrome + Graffiti + Elsa’s hand holding a mustard bottle], 30 x 60 x 23,5 cm, 2017

Pierre Denan, Screaming At A Wall, Tribute To Steven P., acrylic on canvas, 60 x 50 cm, 2017

Pierre Denan, I’m Still Going To Misbehave, Miss Manga Said, Miss Manga Series, photo print, 30 x 24 cm, 2017. Private collection

Filo Loco, Marko Marko’s Indian 1941, Pierre Denan Wall Text, Un Double Cheese Et Une Grande Frite, 2017

Marko Marko’s Indian 1941

Pierre Denan, I’llBe Fine, I’ll Be Fine, 2017 & Un Double Chesse Et Une Grande Frite, wall texts, 2017

Pierre Denan, I’ll be fine, I’ll be fine, photo print Lambda, 40 x 30 cm, 2017. Private collection

Pierre Denan, Un Double Cheese et une Grande Frite, photo print Lambda, 40 x 30 cm, 2017

The Old Masters, acrylic on canvas, 60 x 50 cm, 2017

Untitled Fluorescent Pink, acrylic on canvas, 50 x 50 cm, 2017

Take A Deep Breath, acrylic on canvas, 50 x 50 cm, 2017

I’m Not A Fucking Abstraction, acrylic on canvas, 100 x 81 cm, 2017. Private collection. Shown at « As You Look Back » exhibition, Culbuteurs Event, Le Garage, Paris, May 2017, Private collection

No Reason, acrylic on canvas, 100 x 81 cm, 2017. Shown at « As You Look Back » exhibition, Culbuteurs Event, Le Garage, Paris, May 2017. Private collection

Pierre Denan, Artwork at Le Garage, May 2017, photo souvenir, 18 x 24 cm, Private collection

You Bore Me, acrylic on canvas, 40 x 40 cm, 2017

FuckSplash, acrylic on canvas, 40 x 40 cm, 2017

Untitled Red Light, acrylic on canvas, 40 x 40 cm, 2017

Are You A Solid Liberal?, acrylic on 425 gr paper, 24 x 30 cm, « What The Painting Wants » series, August 2017

Nothing Tastes As Good As Skinny Feels, acrylic on 425 gr paper, 24 x 30 cm, « What The Painting Wants » series, August 2017

But When I Saw The Space, acrylic on 425 gr paper, 24 x 30 cm, « What The Painting Wants » series, August 2017

Untitled Red (I mean, it’s always fun, and a good time), acrylic on canvas, 50 x 50 cm, What The Painting Wants series, August 2017

Untitled Red, acrylic on canvas, 40 x 40 cm, What The Painting Wants series, August 2017

Individually, I Always Want To Give The Most, acrylic on canvas, 40 x 40 cm, What The Painting Wants series, August 2017

Take A Deep Breath, acrylic on canvas, 50 x 50 cm, 2017

G20, Euromillions and some shit

When Giotto Meets Citrate de bétaïne

Leaves, wood and some shit

Green tee-shirt Legends car racing, destroy yellow Kelly and some shit

Broken grid (do we really know how much a crisis costs?) and some shit

CASH and some shit

Fucking Kelly Artwork (Part of) and some shit

The unruly flux of the metropolis

Doliprane (True Desire)

G20 (Blue Lagoon)

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